PROJECTS - Napoleon IIIrd

The Schumann Resonances (2022)

This is an experiment in global healing.

THE SCHUMANN RESONANCES are global electromagnetic resonances, generated and excited by lightning discharges in the cavity formed by the Earth’s surface and the ionosphere. Essentially they are the naturally occurring sound of the earths atmosphere.

Some believe the human body can be influenced by the resonant frequencies around us, and that these frequencies can effect human and animal behaviour and emotion.

This sound installation comprised of reimagined recordings of the Schumann Resonances at octaves audible to the human ear. These frequencies were played back in quadrasound using a magnetic tape loop and my Teac real to real machine.

Sunnybank-Mills-Exhibition-Poster-A4-for-web

Sonic Futures - Sowerby Bridge (2022)

What will the future sound like?

In this interactive sound installation Studio Napoleon IIIrd reimagines the sounds of Sowerby Bridge for the future. You can explore for yourself by physically wondering around Sowerby Bridge and using the interactive Sonic Map on your smart phone or GPS enabled tablet. Best used with headphones, older smartphones may not work quite as well. Take your time, some of these sounds reveal themselves very slowly.

A commission by Fire and Water – Sowerby Bridge

South Pennines Park (2021)

Working with two groups, I created sound based compositions for specific locations within the South Pennine Park area. I used the experiences, thoughts, feelings and sound recordings made by the groups to create compositions which can be accessed and enjoyed with in their intended locations.

Residents of Laurel Court decided to create a piece for a local, unmapped park/recreation area just off Primrose Street, Primrose Hill, Huddersfield. Healthy Minds, chose their allotment in Todmorden, where they meet every Tuesday. Interestingly both locations are places the group members use regularly, in close proximity to home. Both spaces provide peace and solitude, and act as meeting spaces for socialising as well as places for passing through, on route elsewhere.

I provide participants means to explore, and to make discoveries independently. On this occasion, I provided handheld digital recorders and headphones, the intention being groups look for, and record sounds that best represented these chose locations.

Learn more about this project and park and hear the recording here

GROUP CHAT (2019)

Composition and performance for multiple mobile phones: Commissioned by Huddersfield Contemporary Music Festival.

Leading school students in a series of workshops, James came up with a new composition based on their phone tunes of choice. Students were then added to a WhatsApp group chat and told to set their own notification ringtone for it. Combining their ringtones, the students blended their sounds together, structuring each one of their personal songs into a full-blown piece of music. The result was Group Chat, a jubilant musical shouting match – the kind of noise you get when everyone starts sending a message at the same time.

This short film is an clip from an audience members phone.

buildings (2019)

Commission and performance by Long Division for 4 speakers, vocalist and two projections on to mirrors.

A small change in society has a much larger effect on its skyline. This new piece of music, light and performance derives from my vision of composition and sound as structural, or architectural and explores the impact of the city on both individual and group happiness.

This commission was funded by Long Division with support from Arts Council England as part of our Onto The Streets project, which is directly supporting the creation of new work from predominantly Wakefield based or born artists. The aim is to create accessible experiences that encourage audiences to look at our city in a new way, and animate our streets.

The FM Organ (2018)

The FM Organ (2018) is a playable drone instrument; built using 10 FM transmitters and 27 FM radios.

Fake news and the popularisation of media distribution means we are all guilty of sharing false or biased news and stories, often unwittingly. The news is oversimplified, real events become click-bait. Every situation has at least two sides and an observer’s perspective can be distorted depending from where the story is viewed. With a little research and consideration, you can choose to create harmony, or you can choose to create dissonance.

It is up to you.

Installations:

19-20 October 2019 : Musicport Whitby – La Rosa Hotel

29-30 August 2019 : Henry Moore Institute @ Leeds Gallery

27 March 2019 : Artwalk Wakefield

12-13 May 2018 : Leeds Corn Exchange

The Indestructible Reef (2017) - Bluedot festival

Along with Alison Smith we were asked exhibit our collaborative light and sound installation at Bluedot festival 2017.

This is the soundscape created especially for the festival. Enjoy!

River Holme Project (2017)

Working with Holmfirth based conservation charity, River Holme Connections and artists Ben Simpson and Alistair Macdonald, Napoleon IVth managed an Arts Council England funded community project which bought together three strains of art; sound art, visual art and video art.

All art works created during this project can be found on the River Holme Project page.

Uncommons #3 (2017) - Cliffe Castle Museum

On the 28th May 2017, 11 people performed a brand new composition especially written by James of Napoleon IVth, for Cliffe Castle in Keighley as part of Bradford Threadfest and UnCommons #3.

Musicians were based in small groups throughout the building and conducted via text message from a central point. Pace was dictated by the speed that text messages sent from James’ phone and the time they took to arrive at the performers phones.

A brand new recording of this composition will be posted here soon.

Instructions to performers were as follows

Please set your phones to the most standard sounding text message notification sound as possible and leave the ringers on.

Each box above contains a list of notes you can play. Once you receive a text with a box number (ie. 1, 2, 3 etc), please play these notes in any order, at any speed and in any octave. You do not have to synchronise with the other musicians around you. Some of these sections are blank, please do not play during these sections.

When you receive a text with the word STOP, please stop playing.

At the end of the performance I will text END, please slowly get quieter until you can no longer be heard, then stop.

SOUND DOCUMENT (2015) - LEEDS CENTRAL LIBRARY

On the 26th and 27th September 2015 we took over Leeds Central Library.

The survival of our libraries relies upon your support…….

Traditionally silent places, this installation challenged the notion of a library as a noiseless environment. The intention was to draw attention to the increasing pressures placed on libraries, not only through cuts in funding but also through the steady progression of the digital age, libraries must evolve and are evolving in order to survive.

This sound installation was produced from scratch in the preceding weeks. It drew upon both the experience of those who regularly use and rely on the library as well as the fabric and history of the grade ii listed building itself. Live musicians performed alongside recorded sound and music emanating from 26 separate speakers placed around the library.

The general public were encouraged to join in and were welcomed to bring acoustic instruments, an ear and an open mind.

EVANGELIST PHASE (2014)

Our reworking of Buffalo’s 2014 installation ‘Evangelist’.

Evangelist is ten songs based on episodes in the life of one of America’s most notorious television evangelists presented in a nine room, immersive installation. The songs and installations explore the charisma, drive, relationships, successes, failures and tragedies of an engrossing character.

Our remix combined elements of these recordings with live performances in surround sound.

www.makenosmallplanshere.com
www.twitter.com/buffalospaces
www.buffalospaces.bandcamp.com/album/evangelist

SOUND DOCUMENT (2015) - UNION CHAPEL

Sound installation produced from scratch in the run up to the Open House Weekend 2014. It drew upon both the experiences of those who regularly use and rely on and Union Chapel as well as and the fabric and history of the building itself.

Collaborators include includes Tom Rogerson (Three Trapped Tigers) and artist Joanna McCormick.

Many people who regularly attend concerts at Union Chapel are completely unaware of the service and support that The Margins Project provides for people facing homelessness, crisis and isolation in the local community and beyond. The purpose of this installation is to connect the experience of Margins Project participants with the public visiting the building throughout the Open House Weekend, serving to increase public awareness of this important work.